Peter Hutton Movies

In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising...

An unsentimental elegy to the American West, Sweetgrass follows the last modern-day cowboys to lead their flocks of sheep up into Montana's...

A cinematic love letter to a pre-gentrification New York City

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007...

For more than 100 years, the Statue of Liberty has been a symbol of hope and refuge for generations of immigrants. In this lyrical, compelling and...

Preiss had the rare chance to salvage a selection of 8mm reeled from his archive; 30 years after it was first shot, this lovingly refashioned...

Peter Hutton's New York trilogy. An act of urban archaeology, a chronicle of indelible impressions of the city.

A mockumentary following the troubled production of Clockmen: The Musical, focusing on a cosplayer-turned-actress who reacts to the stress of the...

The first part (winter) of a seasonal study of the Hudson river in New York.

Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film....

Three segments depicting the life cycle of a freighter boat.

A documentary on New York City’s biggest public art project ever, an installation called “The Gates” by Christo and Jeanne Claude.

Peter Hutton’s meditation on the Hudson River.

Sketches for Late City Final (Jem Cohen, Peter Hutton, Jeff Preiss, Adam Grossman Cohen, co-produced by Fred Riedel, c. 1991)

Peter Hutton’s essay on the naturalization of the urban landscape. Voluptuously gray, worn and lived in, the city is like a stage set for an...

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves...

"I developed a need to try to retain everything I was passing through, by means of my Bolex camera."

A continuous dissolve of 87 male and female nudes. "The film's fascination lies with the suspense of that magic moment, halfway between two persons,...

“When I was shooting the material that ended up in "Looking at the Sea", I was standing on these cliffs on the west coast of Ireland, looking...

July ’71 is as much a record of the daily experiences of light and shadow as it is a catalogue of domestic life. More involved with...