Lillian Schwartz Movies

Music by Albert E. Miller. Computer-controlled ability to store one frame in the computer and combine this frame with the incoming frames permits...

Study in motion based on Muybridge’s photographs of man running.

A colorful collage, with a subtle ecology theme, made largely from footage from trial runs of programs used for many of the other films.

A dance by bodies of shifting colors.

“Schwartz’ METAMORPHOSIS is a complex study of evolving lines, planes, and circles, all moving at different speeds, and resulting in...

Digital Animation | 02"50

Changing parameters on mathematical equations.

A number of telephones from the very first invention by Alexander Graham Bell to the present-day cellular and voice phones are morphed in an...

Extended editing techniques based on Land’s experiments affect the viewer’s sensory perceptions.

A playful concoction of computer produced images, a few hand-animated scenes and shots of lab equipment. Made largely from left-overs from scientific...

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

Pixillation features computer generated abstract animations set to Moog-synthesized sound.

Filmed directly from color television controlled by computer programs. Beautifully flowing shapes that overlap and intertwine.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

Computer generated music and visuals films directly from a color TV monitor.

A swift moving assortment of moving images. Filmed from a color TV monitor that was computer controlled.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

Music performed by The New York Philharmonic Orchestra and conducted by Pierre Boulez. Schwartz manipulates by computer, in real-time the images of...

Computer-simulated disk galaxies that are superimposed and twirl through space in beautiful colors at different speeds.

Picture-processed photos from the artist-filmmaker’s family. Faces are abstracted in a divisionistic manner.