Michel Auder Movies

In 1970 Valerie Solanas was released from a mental institution, two 
years after shooting Andy Warhol. Still unstable, she moved into the...

In Michel Auder's short video Talking Head, a young girl (presumably his daughter) is occupied with a plastic toy-package of some sort. She talks...

Voyage's structure is simple. Coastal landscape footage and spectacular sunsets are combined with phone conversations recorded from a scanner that...

Michel reads a book about love, with pictures of naked ladies flashing by and a song by Laurie Anderson playing in the background.

The film begins with shots in Venice, passers-by seized from a hotel room, with Tina Aumont. It continues in Morocco during the filming of Bed of the...

16mm film transferred to SD video, recorded 1970, edited 2009. An excerpt from Michel Auder's film Cleopatra (1970).

The Course of Empire is inspired by the eponymous series of paintings created by Thomas Cole from 1833 to 1836. A 'text film,' constructed from...

Warhol Superstars Viva and Louis Waldon are the main subjects of Auder’s first film with synched sound, Keeping Busy (1969), which was billed...

A portrait of Rome that would have made Plutarch proud, Roman Variations was made during a residency at a studio provided by the gallerist Barbara...

HD video by Michel Auder.

Video by Michel Auder.

From its fiery outset, Brooding Angles is decidedly gothic and the mood anxious. It is a dark rumination on the specter of authority, resistance and...

Narcolepsy includes footage shot with a small hand-held digital video camera, mobile phones and underwater devices. The videos appear on one monitor...

Video by Michel Auder.

Hi8 video by Michel Auder, recorded 1990, edited 2009.

“SEDUCTION OF PATRICK is a satire about unrequited love. A flirting Patrick becomes the object of Gary’s desire. Later rejected and...

Video recorded in 1986, edited 1993. ”You know you're addicted to heroin when you begin proclaiming every bag to be your last.” Auder...

Gulf War TV War was made in one of Auder's usual domestic modes: filming his TV, in which he documents American television news during the run-up to...

Shot on his phone in 2016, Michel Auder’s latest work delves into stasis and acceleration at the same time: a compressed pack of digital...