Teo Hernández Movies

The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an...

"In 1968, during a stay in London, I could finally achieved my first film: 14, BINA GARDEN. A camera wanders into the decor of a room ..."

Outtakes from the movie

Joseph Morder's fifth journal film shot from July to December of 1980.

A personal interpretation of Oscar Wilde Salome from three basic elements: the light, the color, and the projection speed.

Super 8 film, color and black and white, silent

Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and...

An autobiographical black-and-white short in which Teo Hernández portrays his Purépecha father by holding backlit old photographs atop...

Filmed in 1988 on the occasion of the parties at the house of Marie-Noëlle Delorme. Shot with camera in hand to small bursts of frames and...

Eyes and ears travel discontinuously through everyday life and the sub-worlds of the city and the body. A fragmented and subjective day-to-day...

Fugitive images of the northwestern city of France.

The filmmaker recycles the discarded material from Concertino, a film conceived for a piece for ten dancers by the same name by Catherine...

Winter 1978-1979: In his signature style, Hernández films hearty meals, long afternoons and candlelit dalliances inside his residence on rue...

Short film by Teo Hernández.